As we trudge toward the first election in this country with a sitting black President, the racial hysterics and fear mongering on the right have reached heights not seen in decades. Racial dog whistles have been part of Red campaigns since Nixon launched the Southern Strategy decades ago with “law and order” appeals. Reagan’s “young buck” and “welfare queens” followed in due course, as did Bush the Elder’s Willie Horton ad and Bush the Younger’s not so subtle attacks on John McCain’s Bangladeshi daughter in the 2000 primary. But now the right is putting away the dog whistles and bringing out the megaphones.
Three idiots in leather jackets have become the new face of white fear, and the spectacular backfire of the attacks on Shirley Sherrod are unlikely to prevent similar horseshit between now and November. The closest thing the right has come to a move towards racial equality of any kind has been their newfound desire to be as scared of brown people as they are of black ones. On some level that may count as progress, if for no other reason than it’ll make it easier for the rest of the country to identify the last holdouts inside Fortress Whitey. Of course, now that the drawbridge has been raised, it seems unlikely that any of them are coming out any time soon.
It may be time to appeal to the better angles of their nature, using the one weapon to which white people are uniquely vulnerable: nostalgia. We love anniversaries here in America, and there are two that are coming up which could be useful. The first is old and huge, the second is just an echo, but was something of a phenomenon in its day. I’m referring to the Civil War, and the iconic PBS series of the same title.
According to IMDb, this September will be the twentieth anniversary of Ken Burns’ masterful “The Civil War”. (The 150th anniversary of the start of the actual war will be next April, which will in turn be followed by four years of various 150th anniversaries.) The nine part documentary has held up stunningly well, and comes complete with cool gory pictures, David McCullough’s authoritative narration, and heart breaking first hand accounts of the worst four years in American history. The DVDs look spectacular, even on a big television, and that damn song remains as haunting as ever.
(Moreover, the voice acting has, if this is even possible, become even more resonant. Abraham Lincoln and Frederick Douglas, the two moral pillars of the war, are quoted at length and are voiced by Sam Waterston and Morgan Freeman, neither of whom was nearly as popular in 1990 as they are now. Waterston has since become fixed in the public mind as the very embodiment of upright public service by hundreds of episodes of “Law & Order”. Freeman, meanwhile, has become as big a star as can be, playing everyone from god, to the President, to Nelson Mandela.)
What “The Civil War” does so well is depict the humanity of both sides while at the same time making it abundantly and unquestionably clear that the war was begun by slavery, fought over slavery, and ultimately became an armed moral crusade of irresistible justice to abolish slavery. People who to this day think of blacks as less than American, and the Lost Cause wackos to their right, are given nowhere to hide. Shelby Foote, the charming historian who is straight out of central casting for “Southern gentleman”, crushes those kinds of notions into pulp, including making it abundantly clear that the Confederacy never had a chance.
But it isn’t all Americana and stirring string music. Barbara Fields, another central casting historian, this time of a variety Slim Charles once referred to as “bona fide colored lady”, rains on the Union victory parade near the end. Without pretending any virtues or pulling any punches, she and Burns remind everyone that Appomattox was only the beginning of equality for blacks in America. For many of the victors of the war, basic rights like voting were still a century or more away.
Television doesn’t get much better than this, and it speaks directly against the hyperventilating hysteria that has increasingly marked politics here in the age of Obama. We could all do with a little refresher course, especially when racially ugly words like “secession” are being bandied about, and a twentieth anniversary is as good an excuse as any. It probably wouldn’t do much good, but it couldn’t hurt; and, at the very least, it might make some of the more retro dog whistles – 14th Amendment, anyone? – too shameful for primetime.
End Note: One of the reasons this thing has held up so well is its lack of re-enactments of any kind. There are no filtered lens shots of cannons going off or soldiers marching. Those kinds of things cheapen everything, and Burns had the good sense to not include them at all.
Posted by Zeno Amerikanos